Samtidskonst

GIBCA 2025: https://www.gibca.se/en/

Godfrey, Tony, The Story of Contemporary Art, MIT Press/Thames & Hudson, 2020. (280 s.)

Israel, Matthew, A Year in the Art World. An Insider’s view, Thames & Hudson, 2023. (256 s.)

Karlholm, Dan, Kontemporalism: om samtidskonstens historia och framtid, Axl Books, 2014. (359 s.)

Kompartiaris, Panos, The Politics of Contemporary Art Biennials: Spectacles of Critique, Theory and Art, Routledge, 2017. Chapter 2: “Histories, Values and Subjectivities” (p. 22-39). [ebok via UB.]

Kjellmer, Viveka, “The smell of Homo Aquatis: Scented scenographics and multisensory exhibition design in the ‘mockumentary’ exhibition project Aquanauts: The Expedition”, *Theatre and Performance Design, Vol 8: 01-02, 2022, 93-111. DOI:10.1080/23322551.2022.2088192. PDF

Levent, Nina & Pascual-Leone, Alvaro (eds), The Multisensory Museum. Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space, Rowman & Littlefield, 2014, valda delar. [e-bok via UB]

Lind, Maria, Konstringar. Vad gör samtidskonsten? Natur & Kultur, 2021. 263 s.

Mangalanayagam, Nina and Wolthers, Louise (2024). 'Photography and the glitch. Editorial'. In: Philosophy of Photography, Vol. 14 (2), 2023, pp. 141-151, https://doi.org/10.1386/pop_00078_2. (10 p.)

Russel, Legacy (2020), Glitch Feminism: A Manifesto, London: Verso. Chapters 4, 5, 6, 7, 8 and 9. (26 p.) [Ebok via UB]

Zylinska, Joanna (2023). The Perception Machine: Our photographic future between the Eye and AI. The MIT Press. Chapter 1: Does photography have a future'? (Does anything else?), open access in: https://direct.mit.edu/books/oa-monograph/5687/The-Perception-MachineOur-Photographic-Future (30 p.)

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