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Martin Fröst with clarinet
Photo: Johan Wingborg
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Orchestral Concert: Fröst & Brahms

Culture and languages

Romanticism meets the present day in two concerts where students from classical music programs collaborate with world-renowned clarinettist, composer and conductor Martin Fröst. Fröst is also currently artist in residence at the Academy of Music and Drama, with generous support from the Sten A Olsson Foundation for Research and Culture.

Concert
Date
11 Mar 2026
12 Mar 2026
Time
18:00 - 19:10
18:00 - 19:10
Cost
160 sek / 100 sek

Organizer
Academy of Music and Drama

Read more about the Artist in Residence Program

Program

  • Göran Fröst and Martin Fröst: Nomadic Dances
  • Johannes Brahms and Martin Fröst" Anniversary Dances
  • Johannes Brahms: Symfoni no. 1

Performers

  • University of Gothenburg Symphony Orchestra
  • Martin Fröst, conductor

Nomadic Dances is a colourful and rhythmic work for clarinet and orchestra by brothers Martin Fröst (born 1970) and Göran Fröst (born 1974). The music moves playfully between different dance rhythms and expressions inspired by various folk traditions and nomadic expressions, with improvisational freedom and a strong pulse at its core. The work was part of the XODUS project, premiered in Stockholm in 2018, where it contributed to an overall experience of movement and sound.

In Anniversary Dances, Johannes Brahms (1833–1897) and Martin Fröst meet across time and styles. Based on Brahms' dances and motifs, Fröst creates a playful and virtuoso tribute where romantic tones meet contemporary energies. The music moves freely between arrangement and innovation, with rhythmic precision, tonal imagination and a clear focus on the expression of the clarinet. The result is a personal dialogue between tradition and renewal.

Johannes Brahms struggled for over twenty years with his Symphony No. 1, which premiered in 1876. Aware of Beethoven's legacy, he approached the genre with both respect and determination. The result is a work that combines classical form with romantic intensity: from the darkly charged opening to the bright, hymn-like finale. The symphony has often been called ‘Beethoven's Tenth,’ but it clearly bears Brahms' own powerful and personal voice.

About events at the Academy of Music and Drama

Sten A Olsson Foundation for Research and Culture