Orchestral Concert

Performers

• University of Gothenburg Symphony Orchestra

• Jurjen Hempel: conductor

• Signe Olofsson: piano 

Program

• Emilie Mayer: Faust Overture (12 min)

• Ludwig van Beethoven: Piano Concerto no. 3 (36 min)

Intermission (25 min)

• Gustav Mahler: Symphony no. 1 (54 min)

Faust Overture by Emilie Mayer (1812–1883) is a powerful example of the dramatic possibilities of the Romantic concert overture. Inspired by Goethe's Faust, Mayer creates a dense symphonic narrative, in which dark, driving motifs are contrasted with lyrical and conciliatory passages. The skilful orchestration and clear thematic development demonstrate her mastery of the German Romantic tradition, with influences from Beethoven and Schumann, but with a personal and passionate musical language.

Piano Concerto No. 3 in C minor by Ludwig van Beethoven (1770–1827) marks a decisive step from classicism to romanticism. The work combines dramatic power with austere form, in which soloist and orchestra engage in an intense dialogue. The dark undertone is balanced by a heartfelt Largo in E major, before the energetic rondo of the finale concludes with decisive sharpness. The concerto is a manifestation of Beethoven's growing independence and strength of expression.

Symphony No. 1  by Gustav Mahler (1860–1911): often called ‘Titan’ – is a breakthrough work that combines symphonic tradition with a personal and multifaceted musical language. Natural moods, folk elements and ironic contrasts are woven together in an expansive musical journey. From the slow dawn of the opening to the triumphant finale, the symphony reflects Mahler's vision of the symphony as a world that contains everything.