Filmvetenskap, kandidatkurs

Backman Rogers, Anna. 2018. ‘The Beguiled’, Sofia Coppola: The Politics of Visual Pleasure (New York: Berghahn). Pgs 45-69.

Brunow, Dagmar. 2018. ‘Naming, shaming, framing? The ambivalence of queer visibility in audio- visual archives’, *The power of vulnerability: *Mobilising affect in feminist, queer and anti-racist media cultures (Manchester: Manchester University Press). Pgs 174-195.

Butler, Judith. 1990 "Bodily Inscriptions, Performative Subversions." Gender Trouble,  (London: Routledge). Pgs 175-193

Foucault, Michel. 1998. ‘Scientia Sexualis.’ The History of Sexuality I: The Will to Knowledge,  (London: Penguin). Pgs 53-73

Gramsci, A. 2003. ‘Hegemony of Western Culture Over the Whole World Culture’ and ‘The Intellectuals’, Selections from the Prison Notebooks (London: Lawrence and Wishart ltd.)pgs. 416-418 and pgs 4-14

Johnston, Claire. 1973. ‘Women’s Cinema as Counter Cinema’, Notes on Women's Cinema. London: Society for Education in Film and Television, (London: SEFT), pp. 24-31.

Mittell, Jason. 2015. Complex TV: The Poetics of Contemporary Television Storytelling (New York: NYU Press). 416 pgs.

Mulvey, Laura. 1975. ‘Visual Pleasure and Narrative Cinema’, Screen, Vol 16, Issue 3. Pgs 6-18

Pugh, Tison. 2011. ‘Introduction: Innocence, Heterosexuality, and the Queerness of Children's Literature.’ Innocence, Heterosexuality, and the Queerness of Children's Literature,  (London: Routledge). Pgs. 1-19

Ryberg, Ingrid. 2018. ‘Abortion prevention: Lesbian citizenship and filmmaking in Sweden in the 1970s’, *The power of vulnerability: *Mobilising affect in feminist, queer and anti-racist media cultures (Manchester: Manchester University Press). Pgs 195-215.