Musik och kulturteori

Anderson, Benedict (1992) Den föreställda gemenskapen. Reflextioner kring nationalismens ursprung och spridning. kap 1 och 3. Göteborg: Daidalos (16 s)

Biddle, Ian & Vanessa Knights (red) (2007) Music, national identity and the politics of location. Between the global and the local, kap 1, s 19-38 Aldershot: Ashgate (20 s)

Burlin, Toivo. 2025. Det kanoniska konceptets tyranni: en kritik av musikurvalet i En kulturkanon för Sverige. I Svensk tidskrift för musikforskning/Swedish journal of music research. Vol. 107 (10 s) https://doi.org/10.58698/stm-sjm.v107.62083

Cook, Nicholas (1998) Analysing musical multimedia Del I, introduction + kapitel 1-3, Oxford: university press (129 s)

Dines, Mike, Sara Rambarran, Gareth D Smith (2025) The Intellect handbook of Popular Music Methodologies. Kapitel 1 + valfritt kapitel, Intellect (ca 40 sidor)

Dunkel, Mario & Melanie Schiller (red) (2025) Popular music and the rise of populism in Europe: An introduction s 1-27, London: Routledge (27 s) (nedladdningsbar via UB)

Frith, Simon (1996) Performing rites. Evaluating popular music. Oxford: Oxford University Press (352 s)

Garratt, James (2024*)*Music and politics. A critical introduction. Kapitel 2. Power and counterpower. (28 s)

Grossberg, Lawrence (2010) Cultural studies in the future tense. Durkham Duke University Press (350 s)

Hagren, Karin Idevall & Gustav Westberg (2024) Kritisk diskursanalys. En språkvetenskaplig introduktion. Lund: Studentlitteratur (360 s)

Hall, Stuart & Tony Jeffersson (2006) Resistance through rituals – youth subcultures in post-war britain. sid 9-117 London: Taylor & Francis Ltd. (nedladdningsbar via UB) (98 s)

Hebdige, Dick (1979) Subculture – the meaning of style. London: Routledge (190 s)

Mulhal, Joe (2024) Rebel sounds: music as resistance. London: Fontnote press (362 s)

Nilan, Pam & Carles Feixa (2006) Global Youth? Hybrid Identities, Plural Worlds, Introduction sid. 1-13, kap 1 sid. 14-31, kap 7, sid. 130-149, kap 8, sid. 149-166 (70 s) https://ebookcentral.proquest.com/lib/gu/detail.action?docID=356059&pq-origsite=primo

Payne, Ashley N. 2024 Hip hop identity, & Black girldhood: how Black girls (re-construct racial and gender identity through Hip hop. I Journal of Youth Studies, vol 27 nr 2, sid 252-273 (22 s)

Peters, Eleanor (red) (2023) Music in crime, resistance, and identity. Abingdon: Routledge (128 s)

Pontara, Tobias (2025) ”Soundtracking conspiracy theory: Non-fictional worldmaking and audio-empistemic strategies in Loose Change 9/11: An American Coup (2009/2015)” Popular Music and Society (20 s) https://doi.org/10.1080/03007766.2025.2521916

Pontara Tobias & Åsa Bergman (red) (2024) Klassisk musik för en medialiserad värld. Göteborg: Makadam (open access) (369 s)

Schiller, Melanie (2025). Populism in the land of pop: The Sweden democrats, popular music, and the performance of heroic averageness. I Dunkel & Schiller (red) Popular Music and the rise of populism in Europe. s. 111-140 London: Routledge (30 s) (nedladdningsbar via UB)

SOU2025:92 Betänkande av kommittén: En kulturkanon för Sverige (302 s)

Storey, John (1996) Cultural study and the study of popular culture. Kap 6. Popular music, Edinburgh: University press (20 s)

Stuart Hall et al. eds. (2013) Representation. 2.d edition, kapitel 1och 4, London: Sage (nedladdningsbar via UB) (129 s)

Werner, Ann (2017) “Titiyo, race, gender and genre” in Swedish popular music. Alf Björnberg & Thomas Bossius (eds) Made in Sweden. Studies in popular music. London: Routledge, 189-198 (10 s)