Filmmusik

Adorno, Theodor & Hanns Eisler (1947/1994) Composing for the Films. London: Athlone Press. Kap. 1: “Prejudices and Bad Habits”, s. 3–19 [16 s].

Buhler, James (2019) Theories of the Soundtrack. Oxford: Oxford University Press. [317 s.] OBS! Boken nås via Göteborgs universitetsbibliotek: https://www.ub.gu.se/sv

Chion, Michel (1994) Audio-Vision: Sound on Screen. New York: Columbia University Press, pp. 25-34; 71-73; 95-98; 123-138 [29 p.]

Cooke; Mervyn (2001) “Film Music” i Oxford Music Online. Section 8: “Techniques and Functions” [30 s.] https://doi-org.ezproxy.ub.gu.se/10.1093/gmo/9781561592630.article.09647

Gorbman, Claudia (1987) Unheard Melodies: Narrative Film Music. Bloomington: Indiana University Press. “Introduction” samt kap. 1-5, 1-109. [109 s.]

Heldt, Guido (2013) Music and levels of narration in film: Steps across the border. Bristol: Intellect, 1-135. [135 s.]

Kalinak, Kathlyn (2010) Film Music: A Very Short Introduction. Oxford: Oxford University Press. [160 s.] https://ebookcentral-proquest-com.ezproxy.ub.gu.se/lib/gu/reader.action?docID=497617&ppg=1

Pontara, Tobias (2016) “Interpretation and underscoring: Modest Constructivism and the Issue of Nondiegetic versus Intradiegetic Music in Film” Music and the Moving Image 9(2), 39-57. [18 s.] https://muse-jhu-edu.ezproxy.ub.gu.se/article/619749

Reyland, Nicholas (2015) “Corporate classicism and the metaphysical style: affects, effects, and contexts of two recent trends in screen scoring”, Music, Sound and the Moving Image 9(2), 115-130. [15 s.] https://muse-jhu-edu.ezproxy.ub.gu.se/article/608346

Stilwell, Robynn (2007) ‘The Fantastical Gap between the Diegetic and Nondiegetic’, in Daniel Goldmark, Lawrence Kramer, and Richard Leppert (eds), Beyond the Soundtrack: Representing Music in Cinema, Berkeley and Los Angeles: University of California Press, 184–202. [18 s.]

Stilwell, Robynn (2014) “Case Studies: Introduction”, in David Neumeyer (ed.) The Oxford Handbook of Film Music Studies, Oxford: Oxford University Press, 418-423. [5 s.]

Tagg, Philip (1992) “Functions of Film Music: A Miscellaneous Terminology”, http://tagg.org/teaching/mmi/filmfunx.html [4 s.]

Winters, Ben (2010) ”The Non-Diegetic Fallacy: Film, Music, and Narrative Space”, Music & Letters, 91(2), 224-243. [19 s.] https://muse-jhu-edu.ezproxy.ub.gu.se/article/386906

Summa: 875 s.