Svensk filmkultur

Brodén, Daniel. "Something Happened, but What?" I Culture, Health, and Religion at the Millennium, M. Demker, Y. Leffler, och O. Sigurdson (red.). New York: Palgrave Macmillan, 2014. (pdf)

Bengtsson, Bengt. "Regionfilmen och konstruktionen av folkhemmet." I Medier och politik: Om arbetarrörelsens mediestrategier under 1900-talet, Mats Jönsson and Pelle Snickars (red.). Stockholm: Statens ljud- och bildarkiv, 2007.

Bergsmark, E. M. ”Voice-Under: A Taste of Warm Fear, Traumaturgy and Promiscuous Truths”. Lambda Nordica, 25(3-4) 2021, 105-125.

Cronqvist, Marie. "Vi går under jorden: Kalla kriget möter folkhemmet i svensk civilförsvarsfilm." I Välfärdsbilder: Svensk film utanför biografen, Erik Hedling and Mats Jönsson (red.). Stockholm: Statens ljud- och bildarkiv, 2008.

Dancus, Adriana Margareta. "Trollism, Reality Hunger, and Vulnerability: Trolls in Film and Literature in the 2000s." European Journal of Scandinavian Studies 46, no. 2 (2016): 250–269. https://doi.org/10.1515/ejss-2016-0022.

Frykholm, Joel. “Art Cinema, Film Policy and the Slaughterhouse of Swedish Cinema.” Journal of Scandinavian Cinema 13, no. 2 (2023): 219–241.

Habel, Ylva, “Little pink: White fragility and black social death”, 71-94. 23 sidor

Openaccess: https://www.manchesteropenhive.com/view/9781526133113/9781526133113.xml?fbclid=IwAR1ZT3eFQnlrQbgYWD44lfK\_WCPtqNc8lXq-08dMbiDzfRMOCbqEIFQ2hFU

Higson, Andrew. "The Concept of National Cinema." Screen 30, no. 4 (1989): 36–47.

Higson, Andrew. 2021. “The Resilience of Popular National Cinemas in Europe (Part Two).” Transnational Screens 12 (3): 220–32. https://doi.org/10.1080/25785273.2021.1989166.

Hjort, Mette, and Ursula Lindqvist (red). A Companion to Nordic Cinema. Oxford: Wiley-Blackwell, 2016. http://ebookcentral.proquest.com.ezproxy.ub.gu.se/lib/GU/detail.action?docID=4461559.

Holmlund, Chris. "Gräns (Border, dir. Ali Abbasi, 2018) and Borders: Transnational Ties, Nordic Roots, Swedish Knowledge in Critical Reception." Transnational Screens 12, no. 2 (2021): 150–168. https://doi.org/10.1080/25785273.2021.1976467.

Janson, Malena (red.). Swedish Children’s Cinema : History, Ideology and Aesthetics. Cham: Palgrave Macmillan, 2024. Ca 100 sidor.

Jönsson, Mats. "The Swedish Model Non-Fiction Film Culture ca 1920–1960: Pragmatic Governance and Consensual Solidarity in a Welfare State." In The Blackwell Companion to Nordic Cinema, edited by Mette Hjort and Ursula Lindqvist. Oxford: Wiley-Blackwell, 2016.

———. "Marcimainstream?: History in Two Contemporary Swedish TV Series." Film International 6, no. 5 (2008).

Knobloch, Paulina. "Business Model Innovation in the Film Industry." I Business Model Innovation in Creative and Cultural Industries, Pierre Roy and Estelle Pellegrin-Boucher (red). London: Routledge, 2024.

Kokkola, L., A. Palo, and L. Manderstedt. "Protest and Apology in the Arctic: Enacting Citizenship in Two Recent Swedish Films." Humanities 8 (2019): 49. https://doi.org/10.3390/h8010049.

Koskinen, M.. In the Crossfire: Anna Serner and the Swedish Film Institute. In L. Wallenberg , F. Papadopoulou , M. Koskinen & T. Soila (Authors), Now About All These Women in the Swedish Film Industry (pp. 67–92). New York,: Bloomsbury Academic 2023.

Kyrölä, Kata. “Reading Border through Desire: Queer Indigenous Theory, Nordic Settler Colonialism, and Trans Aesthetics.” Camera Obscura 38 (2023): 77–105. https://doi.org/10.1215/02705346-10772589.

Larsson, Mariah & Marklund, Anders (red.), Swedish film: an introduction and reader, Nordic Academic Press, Lund, 2010. Finns som e-bok på biblioteket. Ca 150 sidor.

Lee Gerdén, M. (2018). "The invulnerable body of colour: The failure and success of a Swedish film diversity initiative". In The power of vulnerability. Manchester, England: Manchester University Press.

Pulsifer, Rebecah. "Trolling Humanism: New Materialist Performativity in Border." Gender Forum 71 (2019): 7–22. http://genderforum.org/new-feminist-materialism-and-queer-studies-in-the-anthropocene/

Snickars, Pelle. 2010. “Vad är kvalitet?” I Citizen Schein, Lars Ilshammar, Pelle Snickars och Per Vesterlund (red.). Stockholm: Kungliga biblioteket, 158-173. Open-access: http://mediehistorisktarkiv.se/wpcontent/uploads/2014/04/CITIZEN_SCHEIN_KOMPLETT_v2.pdf

Tavares, Hannah M. 2021. “A Prelude to Postcolonial Cultural Histories of Education: ‘Reading’ Amanda Kernell’s Sami Blood.” Paedagogica Historica 58 (4): 504–24. doi:10.1080/00309230.2020.1856150.

Van Belle, Jono. “Re-conceptualizing Ingmar Bergman’s status as auteur du cinema”, European Journal of Cultural Studies 22 (2019): 3-17.

Vesterlund, Per. "Den svenska modellen – arbetarrörelsen, staten och filmen." I Medier och politik: Om arbetarrörelsens mediestrategier under 1900-talet, Mats Jönsson and Pelle Snickars (red.). Stockholm: Statens ljud- och bildarkiv, 2007.

———. "Förskingrat kulturarv: Nedslag i HSB:s filmproduktion." I Välfärdsbilder: Svensk film utanför biografen, Erik Hedling and Mats Jönsson (red.). Stockholm: Statens ljud- och bildarkiv, 2008.

Nostradamus Report (Göteborgs Filmfestival), senaste utgåvan (12:e) https://goteborgfilmfestival.se/bransch/nostradamus/

Filmåret i siffror 2023 (Svenska Filminstitutet)
https://www.filminstitutet.se/globalassets/2.-fa-kunskap-om-film/analys-och-statistik/publikationer/filmaret-i-siffror/filmaret-i-siffror-2023.pdf

Film- och biovanor (Myndigheten för kulturanalys)
https://kulturanalys.se/publikation/film-och-biovanor/