Filmvetenskap, kandidatkurs

Delkursen Filmvetenskapliga teorier och metoder

Backman Rogers, Anna. 2015. American Independent Cinema: Rites of Passage and the Crisis-Image. Edinburgh: Edinburgh University Press.

Bengtsson, Stina, Staffan Ericson, och Fredrik Stiernstedt, red. 2020. Medievetenskapens idétraditioner. Upplaga 1. Studentlitteratur.

Flisfeder, Matthew. 2017. *Postmodern Theory and Blade Runner. *Film Theory in Practice. London: Bloomsbury Academic, http://dx.doi.org/10.5040/9781501311789.

Hall, Stuart. 2003 (1980). “Encoding/Decoding.” I Culture, Media, Language: Working Papers in Cultural Studies, 1972-79. https://doi.org/10.4324/9780203381182.

Jameson, Fredric. “Postmodernism and Consumer Society.” I Brooker, P., red. 1992. Modernism/Postmodernism. Routledge.

Martin-Jones, David. 2011. Deleuze and World Cinemas. London: Continuum. (utdrag ur boken på pdf)

Rizzo, Teresa. 2012. Deleuze and Film: A Feminist Introduction. London: Continuum. (utdrag ur boken på pdf)

Ryberg, Ingrid. 2026. “’One must alternately reconstruct as an archeologist, search as a criminalist, or try to decipher like a psychoanalyst of the unconscious’: The reception of ‘homosexual’ film characters in the 1940s and 50s.” I The Intellect Handbook of Nordic Cinema, red. Gunnar Iversen och Mariah Larsson. Intellect Press, https://www.intellectbooks.com/the-intellect-handbook-of-nordic-cinema

Ryberg, Ingrid. 2026. “Rediscovering (lesbianism in) Tuija-Maija Niskanen’s The Farewell (1982).” I Women’s film histories: Scandinavian perspectives, red. Ingrid S. Holtar, Anna-Sofia Rossholm och Louise Wallenberg. Nota bene, https://www.nb.no/forskning/nota-bene/

Silverman, Kaja. 1992. Male Subjectivity at the Margins. London: Routledge. (utdrag ur boken på pdf)

Silverman, Kaja. 1996. The Threshold of the Visible World. London: Routledge. (utdrag ur boken på pdf)

Stam, Robert. 2017. Film Theory: An Introduction. Blackwell.

Thornham, Sue. 2019. Feminist Film Theory: A Reader. Edinburgh University Press. https://doi.org/10.1515/9781474473224.

• Chapter 15: Stacey, Jackie. “Feminine Fascinations: Form of Identification in Star-Audience Relations”
• Chapter 16: Staiger, Janet. “Taboos and Totems: Cultural Meanings of the Silence of the Lambs”

Delkursen Tillämpad filmvetenskap

Furstenau Marc (ed). 2010. The Film Theory Reader: Debates and Arguments. New York and London: Routledge. (Selected chapters from above amounting to circa 200 pages. E-bok på UB.)

Stevens, Kyle (ed.) 2022. The Oxford Handbook of Film Theory. Oxford: Oxford University Press. (Selected chapters from above amounting to circa 200 pages. E-bok på UB.)