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Julia Nyberg / Euphrosyne: Romantic Poetry, World Literature, and Superficial Reception

Kapitel i bok
Författare Gunilla Hermansson
Publicerad i Swedish Women's Writing on Export: Tracing Transnational Reception in the Nineteenth Century / Yvonne Leffler, Åsa Arping, Jenny Bergenmar, Gunilla Hermansson & Birgitta Johansson Lindh
Sidor 33-95
ISBN 978-91-88348-96-8
Förlag LIR.skrifter
Förlagsort Gothenburg
Publiceringsår 2019
Publicerad vid Institutionen för litteratur, idéhistoria och religion
Sidor 33-95
Språk en
Länkar hdl.handle.net/2077/61809
Ämnesord Reception, world literature, poetry, translation, distant reading, gender, national stereotypes
Ämneskategorier Litteraturvetenskap, Litteraturstudier

Sammanfattning

The chapter brings several general problems to the fore. One of them is the status of poetry in current research on translation and reception within world literature research and theory. Gunilla Hermansson discusses this and the accompanying methodological difficulties, as well as the future potential of computer-aided analysis in this context. Nyberg’s international fate demonstrates the significance of gender, genre, and images of the nation for the reception of poetry at large and Swedish romantic poetry specifically. It also necessitates an examination and critical discussion of the interplay between different kinds of reception, first and foremost those of translations and introductions, as well as the practices of recycling critical comments. This in turn sheds light on the parallel and intertwined constructions and negotiations of a Swedish literary canon inside and outside the nation, as well as the complex motives behind what Hermansson labels “superficial reception” in an era marked by a desire to both know and master the literature of other nations.

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