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Drone Vision – paper presented at Bending the Frame symposium, Preus Museum, Oslo, Norway, Oct 17, 2017

Conference contribution
Authors Sarah Tuck
Published in see website: http://www.preusmuseum.no/eng/layout/set/print/Explore-the-Museum/Events/Calendar/Seminar-Bending-the-Frame
Publication year 2017
Published at Valand Academy
Language en
Links www.preusmuseum.no/eng/layout/set/p...
Keywords photography, drone, curation, protest, solidarity, affiliation
Subject categories Social and Economic Geography, Media and Communications, Political Science, Law, Earth and Related Environmental Sciences, Philosophy, Ethics and Religion, Arts

Abstract

Characterising drone vision as an emerging asymmetric system of being seen and not seeing, the paper explores how drone vision is part of an expanded governmental surveillance of people, killing at a distance and an insurgent strategy of recognition, solidarity and affiliation across time and place. Drawing on these multiple uses of drone technology the paper will present the curated research project Drone Vision, a collaborative initiative between the cities Gothenburg, Lahore and Nicosia – and present some preliminary thoughts on how drone technology might be used as an infrastructure of protest that re-orientates understandings of political culture and the theorisation of photography.

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