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This is the time. And this is the record of the time.

Journal article
Authors Maria Johansen
Published in Kultur og Klasse
Volume 110 2010
Pages 51-74
ISSN 0905 6998
Publication year 2010
Published at Department of Literature, History of Ideas, and Religion
Pages 51-74
Language sv
Keywords Övervakning, makt, fiktion, tillblivelse, rättigheter, rättslöshet, Hannah Arendt
Subject categories History and Archaeology, Other Humanities not elsewhere specified

Abstract

Today’s extensive use of databases for storing identifying biometric and genetic information raises several questions on the relations between bodies, technology, information, power, human rights and personal integrity. While an individualistic understanding of the human being is inadequate as a way of approaching this complex of problems, we are also confronted with the challenge not to dissolve the subject, thus overlooking the fragility of our condition and the ways in which our bodies are being encroached. The present article attempts to meet this double challenge. Starting with the short story Fantomina: or Love in a Maze, written by Eliza Haywood during the early 18th century, and with a discussion on some relations between fiction, power and surveillance, the article investigates contemporary ways in which bodies are being inscribed in laws and captured in the trap of scription when used as proofs of identity. The article analyzes questions of identification in their historical complexity, as well as the patterns that are played out by powers of recording operating with some continuity over the past centuries. It is also suggested that so-called bodily freedoms and rights, as well as integrity, could gain in critical significance by considering the “betweeness” – the inter-est of Hannah Arendt – and the ways in which our existence presupposes the other (understood as both the world and the others conditioning us). Opposing the individualistic tradition, the law understood as a boundary thus does not enclose independent individuals in sovereign possession of themselves beyond time and space; instead, the boundary gains its significance in relation to an opaque who in continuous becoming.

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