Till startsida
Webbkarta
Till innehåll Läs mer om hur kakor används på gu.se

Maria Nyström

Doktorand

Maria Nyström
Doktorand
maria.nystrom@conservation.gu.se

Postadress: Box130, 40530 Göteborg
Besöksadress: Guldhedsgatan 5a , 41320 Göteborg


Institutionen för kulturvård (Mer information)
Box 130
405 30 Göteborg
www.conservation.gu.se
conservation@conservation.gu.se
Fax: 031-786 4703

Besöksadress: Guldhedsgatan 5a , 405 30 Göteborg

Om Maria Nyström

 Doktorand i Kulturvård sedan augusti 2016. Avhandlingen är en del av forskningsprojektet ”Hur blev Svenska Kyrkan ett nationellt kulturarv?”, och syftar till att förstå samtida arkitektoniska förändringar av äldre kyrkobyggnader ur ett kulturarvsperspektiv.
Masterexamen i Kulturvård vid Göteborgs universitet 2015. Masteruppsatsen ”The Creative Industry. Regenerating industrial heritage in Rome” behandlade kulturellt återbruk av industriellt kulturarv, med Roms före detta slakthusområde som fallstudie.

Kandidatexamen i Konstvetenskap vid Uppsala Universitet 2011.
Innehavare av det större stipendiet i Kulturvård vid Svenska Institutet i Rom läsåret 2014/2015.

Forskningsintressen: Byggd miljö, adaptive reuse, religiöst kulturarv, industriellt kulturarv, stadsförnyelse.

Abstract “The Creative Industry”, Examensarbete för Masterexamen I Kulturvård
Former industries are increasingly being reinterpreted for cultural uses despite sometimes having an ambiguous past. The slaughterhouse in Testaccio, Rome, has since its’ closing in 1975 been the object of various kinds of plans and uses by a number of actors with different interests. Today, the former slaughterhouse is being transformed into a cultural and creative centre as a part of Rome’s official urban planning. The aim of this study is to analyse and describe the process of a cultural regeneration of the post-industrial place. By identifying the various actors that have used that slaughterhouse, two main groups have been categorised as official and unofficial, based on their claims and formal resources of power in relation to the site. In order to analyse this process, the discourses created through statements and physical alterations of the material fabric and the situation of the area made by the various actors have been identified and examined. The establishment of a dominant discourse of place by the official actors involves the selection of certain features of the area, while other elements become obscured, in order to create the image of the creative city. Another important aspect of cultural regeneration having been made clearly illustrated through this study is the significance of unofficial interventions and uses of the industrial place. The unofficial actors have the possibility of developing discursive places outside of the normative views of urban planning, rediscovering the values of forgotten places. Although highly absent from the dominant discourse of the place as present, their previous interventions played an important part in the reinterpretation of place. Furthermore, the study of the various groups and their interaction and relations to the raises further questions on who has the right to transform and inhabit the future city.

Sidansvarig: Växeln|Sidan uppdaterades: 2017-04-19
Dela:

På Göteborgs universitet använder vi kakor (cookies) för att webbplatsen ska fungera på ett bra sätt för dig. Genom att surfa vidare godkänner du att vi använder kakor.  Vad är kakor?